Todd Terry, Lone, David Harness, Gayphextwin (LIVE), Nonsuit

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⥤ P A T C H W O R K ⥢

➣ TODD TERRY (X-Mix Productions / Freeze Records / InHouse Records - NYC)
Https://www.toddterry.com
https://www.xmixprod.com
https://soundcloud.com/todd-terry-inhouserecords
https://www.residentadvisor.net/dj/toddterry

➢ LONE (R&S Records - UK)
https://soundcloud.com/lone-1
https://www.residentadvisor.net/dj/lone

➢ David Harness (Moulton Music / Mighty Real - Oakland)
https://soundcloud.com/house-of-harness
https://www.residentadvisor.net/dj/davidharness

➢ Gayphextwin (LIVE) (Jacktone Records / Perfect Location Records - Oakland)
https://soundcloud.com/odi_me

➣ Nonsuit (The Public Works SF / Patchwork SF)
https://soundcloud.com/nonsuit
https://www.residentadvisor.net/dj/nonsuit

Discounted Presales: ticketf.ly/2Fg8R9g

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21+ | Cash Only - ATMs On-site | Sound by Funktion-One (Official)

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◇ Todd Terry ◇
Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, and he “went for the difference. I never got a break in New York, but England happened right away, so I catered to them.” In any event, the Todd Terry sound was born.
By 1988, Todd Terry hit big in England and Europe, and his notoriety was making its way back to the U.S. In addition to DJ appearances, Todd was cutting his classic underground tracks A Day In The Life, Weekend, and Can You Party, released under monikers such as the Todd Terry Project, House Of Gypsies, and Royal House, all considered essential and ground breaking.
In the mid 90’s, the Ministry of Sound’s eponymous UK label released A Day In The Life, a collection of Todd Terry tracks that had been causing dance floor panic. That then led the way to a deal with Mercury Records allowing him to set up a context in which to work with his favourite singers and performers. The first release, Keep On Jumpin’ on featured a vocal workout from super-divas Martha Wash and Jocelyn Brown, together for the first time ever. The song became a top 10 UK crossover pop hit and worldwide smash.Todd followed with the anthem ‘Somethin Going On’, a top 5 UK crossover pop hit. All the while, Todd continued to break new ground as a Producer/Remixer. From SNAP to Annie Lennox to George Michael to Bjork, Todd’s mixes bridge the ground between club cool and commercial accessibility.
In 1995, his remix for Everything But The Girl’s Missing became a worldwide smash, giving the British duo their first ever hit. He then rode the charts with mixes for Garbage (Stupid Girl), The Cardigans (Love Fool), Everything But The Girl (Wrong), 10,000 Maniacs (More Than This), Jamiroquai (Alright), The Cardigans (Been It), and The Lightning Seeds (You Showed Me),.among others. He also produced a Robin S track (Givin’ You All That I’ve Got) for the multi-platinum Space Jam soundtrack. INK/Distinctive Records 2005 release The Todd Terry Trilogy: Past, Present & Future on 3 x CD & 10 x 12” vinyl has inspired Todd fans both old and new with over 30 Todd classics and 10 new Todd songs. Todd is also releasing a barrage of new singles on Blanco y Negro, Elementary Group, and Manifesto/Mercury (who are also re-releasing the ‘Keep On Jumpin’ and ‘Somethin Going On’ in 2006). Ministry of Sound has licensed Philippe B Vs. Todd Terry ‘Can You Feel It (Can You Party)’ for a major 2006 release, a new version of the Todd classic Royal House ‘Can You Party’.Todd Terry All Stars feat. Kenny Dope, DJ Sneak, Terry Hunter, & Tara McDonald’s ‘Get Down’ was released in 2007 on Strictly Rhythm.

◇ LONE ◇
Whether it’s his long-standing love of 90s hip hop, passing penchant for the bright lights and sounds of hardcore or career defining old school house releases, Lone’s music is steeped in nostalgia. Studio or club born, he teases a dance floor ready sound from the in-between places of your consciousness, making you feel warm and fuzzy without quite knowing why.
Prolific from an early age with six album releases to his name already, it was Nottingham born and now London based Matt Cutler’s energetic 2010 LP, ‘Emerald Fantasy Tracks’ which truly put him on the artistic map. The accolades amassed from there on, Lone’s last two long-players - the sweet as candy ‘Galaxy Garden’ and dusty hip-house hitter ‘Reality Testing’ - catching the ear of the critics, whilst his high profile remixes, including Radiohead, Disclosure, Friendly Fires, Nathan Fake, TEED, Underworld, Steffi and Midland spread his sound to the masses.
Whilst Lone’s sampled and swinging beats speak for themselves, it can’t have hurt to be vindicated by signing with the prestigious R&S Records, where house tracks go to become house classics. This was exactly the fate reserved for his 2013 R&S release ‘Airglow Fires’, one of his best-loved releases to date which captures everything we love about the old school house revival of the last few years and was quickly filed under ‘classic’ in the proverbial music shelves of all.
For his freshest release, the intense LP ‘Levitate’, Lone has dragged a collection of feverish breakbeats out of hibernation to create a short-and-sweet 34-minute soundscape that was born in the hallucinatory depths of an actual fever, the breakneck psychedelic journey described by Cutler himself as ‘an intense blast’.
The golden imperfections of all Lone tracks have transported many a bedroom listener to aural planets unknown, but the experience is completed by seeing Lone interpret his own music in the flesh. His live set weaves the best and brightest of his entire discography into an audio-visual tapestry, gilded by visual artist Konx-om-Pax and live drummer Chris Boot. As a house, soul, hip hop and techno fan, you can also find Lone throwing down the best of all four during DJ sets - his Magicwire x NTS residency a good indication of the kind of heat you can expect when he gets behind the booth.
Cutler has focused his wandering creative mind into a rapidly growing discography which is vibrant, surprising and - like the crackle of an old vinyl - intensely evocative. No matter how you choose to experience it, Lone’s contribution to music is unique.

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