Japanese Breakfast, Jay Som, Hand Habits
Noise Pop 2018 Festival Presents:
Japanese Breakfast & Jay Som at Gray Area
With Hand Habits
Thursday, February 22, 2018
6pm Doors / 7pm Show / All Ages
Join us for the 26th annual Noise Pop Festival! Phase two lineup is here:
Join us for the 26th annual Noise Pop Festival! Phase three lineup is here:
Tune-Yards • Built To Spill performs Keep It Like A Secret • Ty Dolla $ign • Real Estate • Black Rebel Motorcycle Club • Madlib (DJ set) • Jay Electronica • Parquet Courts • San Fermin with The Magik*Magik Orchestra • WHY? • Superchunk • Toro Y Moi (DJ set) • Doug Martsch (Solo acoustic) (of Built to Spill) • Waxahatchee (Solo) • Bahamas • Rostam • Shabazz Palaces • Japanese Breakfast • Geographer • The Album Leaf • Langhorne Slim • Jay Som • Tei Shi • Bully • Alex Cameron • Girlpool • Sevdaliza • Dengue Fever • Jessy Lanza (DJ set) • Amy Shark • No Age • Shamir • Bruno Major • Mount Eerie • Cuco • Zomby • The Coathangers • Jeff Rosenstock • Caleborate • Ben UFO • Enter Shikari • The Hotelier • Carla Dal Forno • The Fresh & Onlys • G Perico • Tiny Moving Parts • Racquet Club • Gerd Janson • Sean Rowe • Grails • Crooked Colours • Mister Heavenly • Inara George (of The Bird and The Bee) • Shallou • Palehound • Weaves • Night Beats • Miya Folick • Sudan Archives • Florist • Slim Cessna's Auto Club • Ha Ha Tonka • Wildling • Meg Baird • The Weather Station • Ian Sweet (Solo) • Mary Lattimore • Summer Twins • Death Valley Girls • Single Mothers • Lemuria • Mom Jeans. • Milk Teeth • Mozhgan • Giligan Moss (DJ set) • Twain • Melkbelly • Oso Oso • Dick Stusso • Hand Habits • Joy Again • Chasms • Iman Europe • Special Explosion • Bat Fangs • The Peacers • George Cessna • ROAR • Winter • The Flytraps • Feels • Roya • Hazey Eyes • GDJYB
Since the Noise Pop debut in 1993, the Festival has featured many emerging performers who have gone on to wide acclaim, including The White Stripes, Modest Mouse, Death Cab for Cutie, The Flaming Lips, The Shins, Fleet Foxes, and Bright Eyes.
“The title Soft Sounds From Another Planet alludes to the promise of something that may or may not be there. Like a hope in something more. The songs are about human resilience and the strength it takes to claw out of the darkest of spaces.” Michelle Zauner wrote the debut Japanese Breakfast album in the weeks after her mother died of cancer, thinking she would quit music entirely once it was done. That wasn’t the case. When Psychopomp was released to acclaim in 2016, she was forced to confront her grief. Zauner would find find herself reliving traumatic memories multiple times a day during interviews, trying to remain composed while discussing the most painful experience of her life. Her sophomore album, Soft Sounds From Another Planet, is a transmutation of mourning, a reflection that turns back on the cosmos in search of healing. “I want to be a woman of regimen,” Zauner sings over a burbling synth on the album’s opening track “Diving Woman.” This serves as Zauner’s mission statement: stick to the routine lest you get derailed, don’t cling to the past, don’t descend. In fact, ascend to the stars; Zauner found artistic solace removed from Earth, in outer space and science fiction. “I used the theme as a means to disassociate from trauma,” she explains. “Space used as a place of fantasy.” And yet, Soft Sounds From Another Planet isn’t a concept album. Over the course of 12 tracks, Zauner explores an expansive thematic universe, a cohesive outpouring of unlike parts structured to create a galaxy of her own design. In the instrumental “Planetary Ambience,” synths communicate the way extraterrestrials might, and on the shapeshifting single “Machinist,” which Zauner has been performing live for over a year now, she details the sci-fi narrative of a woman falling in love with a machine. “It’s pure fiction,” she explains, “But it can map onto real relationships in a relevant way.” The track, which begins with spoken-word ambience, moves into autotune ‘80s pop bliss and ends with a sultry saxophone solo, perfectly marries the experience: there’s a perceptible humanity in mechanical, bodily events. Within its astral production, much of Soft Sounds From Another Planet stays grounded. “Road Head” is the last chest compression in attempt to resuscitate a doomed relationship, while the penultimate track “This House” is an acoustic dirge that honors Zauner’s chosen family. The baroque pop “Boyish” has a haunting, crystalline clarity that recalls the pathos of a Roy Orbison ballad, while “Body is a Blade” embraces the dark intimacy of Zauner’s Pacific Northwest heroes Elliott Smith and Mount Eerie. With help from co-producer Craig Hendrix (who also co-produced Little Big League’s debut) and Jorge Elbrecht, (Ariel Pink, Tamaryn) who mixed the album, Zauner recontextualizes her bedroom pop beginnings, expanding and maturing her sound. The sheer massiveness of the big room production on Soft Sounds From Another Planet introduces listeners to a new Japanese Breakfast. Zauner’s familiar, capacious voice will serve as their guide. “Your body is a blade that moves while your brain is writhing,” she sings. “Knuckled under pain you mourn but your blood is flowing.” There’s discernible pain in the phrasing, Zauner recognizing limitation, a lack of control, but then subverting the feeling, creating her own musical language for confronting trauma. Where Psychopomp introduced the world to Japanese Breakfast, Soft Sounds dives deeper. It builds space where there is none, and suggests that in the face of tragedy, we find ways to keep on living.